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Abonnement au flux des actualités du GirpamColloque international : Vestigia Iuventi. Traces de la réception du premier poète biblique
Voir le programme et le plan d'accès.
Le colloque peut être suivit à distance via Zoom :
ID: 977 51252088
Link: https://uni-wupper- tal.zoom.us/j/97751252088?pwd=cmRRQ2dlb2w2WXlCbFE3U29Bb0JZdz09
code: Iuvencus23
Nouvelle Publication : Dictionnaire de l'épigramme littéraire dans l'Antiquité grecque et romaine
Publication dirigée par Céline Urlacher-Becht
Ce dictionnaire offre une somme inédite sur les épigrammatistes grecs et latins du IVe siècle av. J.-C. au milieu du VIIe siècle apr. J.-C., ainsi que sur les sous-genres, les styles et les thèmes qu’ils ont développés.
Pour plus d'informations voir sur le site de l'éditeur Brepols.
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Ecole d'été de Strasbourg 2023 : Réécritures de la Bible en vers dans l'Occident latin
Pour participer à l'école d'été, merci de vous inscrire en envoyant une lettre de motivation à
Voir le site associé.
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Nouvelle Publication : On Pseudo-Cyprian's Heptateuchos
Though the Heptateuchos is possibly the most organic attempt at poetic rewriting of the Old Testament, attributed to "Cyprian the Gaul" by R. Peiper, the latest editor of the text in CSEL 23 (1891), we do not have a comprehensive analysis of this poem yet that can provide a clear grasp of the poem’s compositional logic, show which of its biblical model’s content was used, and expound the context and purpose of its versification. It is apparent that in many respects the Heptateuchos is still profoundly unknown. For this reason the UR 4377 of Catholic Theology and Religious Sciences of the University of Strasbourg, notably its ERCAM ("Équipe de recherches sur le christianisme antique et médiéval"), with its statutory members and its associate members, is engaged in the publication of a new critical edition of each of the seven books of the anonymous poem of uncertain date, the Heptateuchos, also providing an exhaustive commentary. The essays collected in this volume represent a preliminary work for the upcoming edition and commentary planned by the members of UR 4377 in Strasbourg. Above all, they show how the anonymous author was interested in safeguarding the criterion of the narratio probabilis in the poem, through probable references to Judeo-Hellenistic literature and by refining the exegetical reading of the text with references to classical and Christian poetry.
Voir la couverture ici.
Write comment (0 Comments)Ruser avec l'information : fake news et théories du complot de l'Antiquité à nos jours
VI Honor : commentaires sur le panégyrique de Claudien pour le sixième consulat d'Honorius
Actuellement au programme de l'agrégation de Lettres Classiques, les commentaires sur le Panégyrique de Claudien pour le sixième consulat d'Honorius sont disponibles sur le site de VI Honor. Ces commentaires sont issus d'une session, à Lyon en 2015, qui avait réuni des spécialistes de Claude autour de l'oeuvre.
Write comment (0 Comments)Colloque: "L'héroïsme épique dans l'Antiquité tardive"
Members of GIRPAM are very welcome to join us in this hybrid workshop.
The full programme can be viewed here: Detailed programme
To receive the link for attendance via Zoom, please fill in this form: Registration form
For any further queries, please contact me at
Table ronde
Table ronde autour de la poésie latine chrétienne
Jeudi 27 octobre 2022 de 14 h à 17 h, Université de Strasbourg
Contact : Frédéric Chapot,
À l’occasion de la parution de deux livres sur la poésie latine chrétienne dans la Collection des études augustiniennes (Institut d’études augustiniennes, Paris) :
- Paul-Augustin DEPROOST, In melius. Études sur la poésie des chrétiens latins. Paris, Institut d’études augustiniennes, 2022, EAA 211
- Nicole HECQUET-NOTI, Dictum est paupere uersu. La poétique d’Avit de Vienne entre épopée et prédication : étude littéraire du De spiritalis historiae gestis, Paris, Institut d’études augustiniennes, 2022, EAA, 207
Voir le programme ici.
Write comment (0 Comments)Suggerimenti per i contributi
Scio me tibi grates inmodicas debere : Ringraziamento nella poesia tardo antica e medievale e nelle letterature affini
Colloquio di dottorato il 09/10.09.2022 alla Bergische Universität Wuppertal
Vedere qui la descrizione.
Invitiamo gli interessati a sottoporre le loro proposte (circa 20 minuti per relazione) con un breve abstract (massimo 500 parole) e a inviare le domande di partecipazione entro il 01.07.2022 ad Alina Hund (
Appel à communications
Formes de la pitié anonyme dans la poésie latine chrétienne de ses débuts au VIIe siècle
Lieu : Université de Haute-Alsace, Mulhouse
Date : 19-21 décembre 2023
Organisation scientifique : Stefan Freund et Céline Urlacher-Becht
Les propositions de communication (titre et court résumé, entre 5 et 15 lignes) sont à envoyer avant le 30 octobre 2022 aux deux organisateurs du colloque : Stefan Freund :
Voir la description ici.
Colloque franco-allemand organisé dans le cadre du projet ANR-21-FRAL-0002 PoBLAM
Write comment (0 Comments)Appel à candidatures
As part of the activities planned in the program of the Gutenberg Chair 2021 project of Francesco Stella «Biblical Latin poetry and the text/image relationship», the UR 4377 of Catholic Theology and Religious Sciences is launching a call for applications for 4 residential grants, each amounting to 300 euros, in order to encourage the participation of young researchers in the conference «Versus ad picturas. Text/image relation in Greek, Latin and Arabic poetry between Late Antiquity and the Middle Ages»– program attached – which will take place in Strasbourg from September 28 to 30, 2022, so closing the activities of the Chair.
All interested researchers, especially masters, Ph.D. students, Ph.D., whose research focuses in particular on Latin and Greek literature from Late antiquity and the middle ages, are invited to apply for this scholarship by sending a cover letter, accompanied by an updated CV before July 31, 2022 to ms Ilaria Ponti, head of the conference organization secretariat:
Appel à communication
La réception de Paulin de Nole et de Prudence dans la littérature latine tardive et médiévale
Lieu : Université de Franche-Comté, Besançon
Date : 12-13 octobre 2023
Organisation scientifique : M. Cutino, B. Goldlust, V. Zarini
Voir le descriptif en français et en anglais.
Les communications proposées pourront prendre la forme de synthèses ou analyser des cas précis, textes à l’appui. D’une durée de 30 minutes maximum, elles seront présentées en français, en anglais, en allemand ou en italien.
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Stylistique et poétique de l'épigramme latine
L'ouvrage sera disponible à partir du 07/07 presses de la MOM
Write comment (0 Comments)Colloque : Le texte poétique et l'image artistique dans l'Antiquité tardive et le Moyen Âge
Versus ad picturas. Poetic Text and Artistic Image in Late Antiquity and the Middle Ages
Strasbourg, 28-30 Septembre 2022
Voir le site dédié : http://versus-ad-picturas.u-strasbg.fr/index.php/fr/
Scientific Committee: Gianfranco Agosti (Univ. Sapienza, Roma), Doris Behrens-Abouseif (Univ. of London), Bruno Bureau (Univ. Lyon 3), Michele Cutino (Univ. Strasbourg), Stefan Freund (Univ. Wuppertal), Francesco Stella (Univ. Siena), Vincent Zarini (Univ. Paris 4)
The conference Versus ad picturas, conceived within the framework of the research of the international group GIRPAM on Greek and Latin poetry in Late Antiquity and the Middle Ages and in particular the activities of the Gutenberg Chaire 2021-22 on biblical poetry, aims to contribute to the study of the relationship between the images we now call artistic, painted on walls, fabrics, stained glass or parchments, and the verses that often accompany them materially or ideally, and that are now increasingly recognized as indispensable to their cultural understanding and social location.
In recent years this trend, which combines von Schlosser's mythical Quellenbuch with Panosky's iconology, has generated wide-ranging exploratory instruments such as, for late antique and medieval Latinity, the two volumes by Arwed Arnulf Kunstliteratur in Antike und Mittelalter and Versus ad picturas (and a few months ago Francesco Stella's Il testo dell'immagine), while for the Byzantine world it is enough to recall, in addition to the classic The Art of Byzantine Empire: Sources and Documents by Cyril Mango, the volumes of Sources for Byzantine Art History by Cambridge University Press that are still being published and, for poetry, the works of Gianfranco Agosti. But worldwide there is a growing interest in the icon-text (theorised by L. Louvel) as a multiform and joint expression of a unique meaning. In particular, poetic tituli are increasingly considered an irreplaceable testimony to understand the communication and reception of "art" in a period rich in symbolism that often entered the European imagination, but whose meaning has yet to be reconstructed by contemporary patrons and users. From the epigraphs and ekphrases of the Anthologia Graeca to Prudentius' Dittochaeon, from Rusticius Elpidius' Tristicha to the imposing paratextual apparatuses of Carolingian Bibles, from the experiments in visual poetry in Optatianus Porphyrius and Venantius Fortunatus to the sumptuous Carmina figurata of Rabanus Maurus, from Echeardus's narrative inscriptions for Mainz cathedral to the Bibliae pauperum, iconological epigraphy in all medieval languages, from Greek to Latin, from Arabic to Anglo-Saxon, opens up a hitherto almost unexplored approach to the relationship between culture and art in the late ancient and medieval period, which can also help us to better understand the mechanisms of the current relationship between text and image in an age of new iconoclasm.
Voir le programme ici.
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